I received this question from a fan and thought the reply might be interesting to more than just the writer. Here goes.
“You make some reference to enrolling in a community college writing class and riffing from there. It sounds like a starting point. Could you tell me something more about how you made your way from less-than-concrete ideas in your head to a dialogue-less story about the demise of the Second Coming to writing up successful treatments? Practice and having somebody to tear flawed work to pieces come to mind, but I’m concerned about the supply of the latter if I’m not coming up with writing worth reading in the first place.”
First, I’ve been very lucky. My local community college had a course on Novel Writing being taught by someone who had actually published a couple of Regency Romances, and, now that that market had died, was writing mystery novels. Her method of teaching was to let you turn in 10 pages a week and she and the class would comment on it. Her comments were good. The class . . . varied from good to forget it.
Everyone didn’t turn in 10 pages. You only had to turn in 30 pages to get a grade. My family got used to not going to the movie on Saturday until Dad got in his ten pages. Last week was a writing week. I did 127 pages in 7 days, but I still can remember how hard it was to have my 10 pages a week done back in those days.
Comment: Writing is like football, boxing, track. You do it and you get better at it. There just ain’t no way to get around it. Thinking about writing is not the same as making the words flow out your fingers onto a screen. Drop and give me 20 pages, worm!
After I published my first short story, I set some goals. I would write a short story and have it in the mail by the end of every even month. 6 stories in a year. I’d also write a novel. You may know it as First Dawn.
A year later, I’d sold three stories . . . and closed down the anthologies that bought 2 of them before getting any pay. And I had a novel that was getting rejection slips from everyone I sent it to.
And I’d gotten lucky. A writer who was 2 or 3 sales ahead of me was looking for someone determined to be a writer to join her writing group. I did and I learned a whole lot about both writing and business from her.
A comment about writing groups. They range from good to bad. I’ve been in ones that the sole reason for its existence was to worship the writer who had one or two minor sales. I’ve been in groups that were there to talk about writing and complain about how no one liked what they were writing. Those are the type of groups that you walk away from as soon as you can. You are looking for a group that has like minded souls that are determined to be published and are going through the pain of sending stuff out and getting back the rejection slips.
Note to reader. Remember the comment above about writing being like football. Well, writers may not risk broken legs or backs, but the pain is still there in rejection. It’s just part of the process. Get a lot of stuff in the mail, keep it there, and when a rejection comes back, it hurts less. At least you keep telling yourself that.
I stayed with the community college for a year after it was doing little for me. I figured I owed it to the others, but most of the 200 pages I cut out of my first novel to make it sell-able was put in there to answer questions my classmate asked that never should have been answered.
The second year was like the first. I wrote six short stories and sold one. I wrote Second Fire and revised First Dawn when I got a few good comments in my rejection slips.
Oh, and my wife came down with Fibromyalgia. We talked things over. The most import thing in her life was continuing to work in Hospice. So, I took over cooking, washing clothes and doing whatever cleaning got done. Yes, I know how hard it is to hold a job, keep a house running and write. It ain’t easy!
I stayed with my writer friend through her first 3 novels and my first couple as well. By the time you’re writing novels, you can’t send them through a group at a smaller chunk that complete. You need a first reader who can point out goofs. My wife has always been a great first reader and I’ve found a few more over the years. Yes, they are very hard to find, but you can’t find them if you aren’t writing. Strange how that works.
That is how Mike Moscoe and Mike Shepherd came to be selling novels that you get the fun of reading.